Dee Ann Tsurumaki's Fusion Dance
Vladimir Bunoan
In
the pressure-cooked world of hotel kitchens, Dee Ann Tsurumaki has
found the key to maintaining grace. She dances the hula.
For 35 years, the chef of The
Peninsula Hong Kong's top-floor restaurant
Felix studied traditional and modern hula under some of Hawaii's
top masters. But this ancient dance, which records the history and
culture of the islands, isn't merely a hobby. For Tsurumaki, hula
instilled a sense of discipline, which has helped her cope with the
daily demands of her job. What's more, it has become a source of inspiration.
"Hula makes me understand the importance of producing something
that is created from within yourself and that is true to your
culture and heritage
something created with love,"
she explains.
This principle has similarly guided Tsurumaki's approach
to food. Born and raised in Honolulu, Tsurumaki creates dishes that
reflect the various cultural influences of her home state. Although
this kind of gastronomic blending has become the prevailing trend
in many haute kitchens around the world, Tsurumaki says this style
is pretty typical in Hawaii.
"This food concept naturally evolved," she
explains. "Most of the nationalities in Hawaii today came to
work as plantation workers on the pineapple and sugar cane fields
only intending to stay their contract time. They brought very little
with them except for their culture and the memories of their food
back home.
"But a lot of these people didn't go back - my
family included - and they started to inter-marry with each other
brought their cultures together and it started to blend. It was
a natural fusion, the way that the Hawaiian people started blending
the foods because of this. It's a natural thing for us."
A Yamaguchi Disciple
Tsurumaki seemed to have been born to cook. Although
largely self-taught, she has managed to work her way up to executive
chef at Roy Yamaguchi's acclaimed Roy's
restaurants, including the flagship Roy's Kahana Bar & Grill
at Lahaina on Maui. Yamaguchi, a James
Beard awardee, is among the handful of Hawaiian chefs credited
for making Pacific Rim cuisine a worldwide phenomenon.
"I was with Roy since the beginning when he started in Hawaii,"
says Tsurumaki, who began as a pantry girl in 1988. "I was
in his original crew and I've been with him since until I came to
Hong Kong."
Part of her responsibilities at Roy's was to create daily specials.
"When I worked for Mr. Yamaguchi in the beginning in Honolulu,
I would create for him on his special sheet anywhere between three
and five different dishes, whether it be appetizers, salads or partial
main courses. Mostly salads though," she says. "Roy had
once told me that in the first year that I was with him I had actually
produced 900 or so appetizers and salads for him.
"When you stop to think about it, that's only three a day,
and I used to do up to five. Of course, I repeated some, but I did
do an extraordinary amount of food for Roy."
Tsurumaki again credits her Hawaiian background as the source for
this deep well of creativity. She points out that she has relatives
who are Portuguese, Chinese and Hawaiian, while her family originally
came from Okinawa, Japan. "It's nothing unusual to me,"
she says nonchalantly.
Executives at The Peninsula Hong Kong, however, took note of this
prolific display of talent when they were scouting for a chef to
replace Bryan Nagao - also a Yamaguchi alumnus - who left the hotel
to open his own restaurant, Kokage,
across the harbor in Wan Chai.
"Dee Ann's style of food is different from Bryan's," says
Paul Tchen, executive assistant manager for F&B at The Peninsula.
"I think every chef has (her) own specialties and (her) own
flavors. And that's what's wonderful about having different chefs:
they can cook the same cuisine and create a different experience
for the diner."
French-Asian Techniques
Tsurumaki says she brought to Felix a more eclectic
blend of Pacific Rim cuisine featuring "flavors that have not
been sampled here in Hong Kong."
"I can produce some really great flavors by using pretty much
French-Japanese techniques or French-Asian techniques," she
says. "The flavors are definitely identifiable. Like if I give
you a sauce that's put on a fish, you will definitely know if I
used pinot noir in it or if I used cabernet in it. If I have a sauce
made with hoisin or a sauce made with oranges, you will definitely
taste the hoisin, you'll definitely taste the orange. I don't mute
the flavors."
She is also using more Hong Kong ingredients, and throwing in some
Chinese styles into her normal repertoire. For instance, she has
a seared scallop dish with a Chinese black bean sauce, but to it
she added some kaffir lime and lemongrass. "I don't do typical
Chinese food at all," she stresses. "But I will take Chinese
concepts and blend it into the style I'm comfortable cooking with."
Although she's been with Felix for only a year, Tsurumaki says she
feels she has achieved a "little bit of success" with
The Peninsula, citing the high level of repeat business in the restaurant.
One regular, for instance, dined at Felix five times in a single
week. "That's almost unheard of for a Hong Kong restaurant,"
she points out.
Particularly if the restaurant has a more tourist-oriented image,
like Felix, which boasts of stunning views of the Victoria Harbor
and the Hong Kong skyline and dramatic interiors designed by avant-garde
French architect Philippe
Starck.
'Something to Behold'
"The whole atmosphere of Felix to me makes it a destination
dining point restaurant," Tsurumaki admits. "And that's
very important. A lot of people come here because they hear about
Mr. Philippe Starck's design."
But while Tsurumaki finds the design aspects of Felix "truly
something to behold," what amazed her most was the level of
support The Peninsula was willing to give her in terms of creating
dishes that will be just as memorable.
"The first impression I had was the quality of food that I
was being offered to cook," she says, adding that executive
chef Florian Trento provides her with "the best ingredients
pretty much money can buy." For instance, she says the hotel
orders fresh Hawaiian fish like opakapaka and onaga, which arrives
in Hong Kong within 17 hours after packing in Honolulu.
"What the Peninsula affords me is the same quality of seafood
that I had in Hawaii," she says, "and for the guests,
they really can have great quality food here."
This kind of purchasing support perfectly fits Tsurumaki's food
philosophy, which puts emphasis on the integrity of the ingredients.
"One of the reasons why my food is so different from everyone
else's is because I truly go for good flavors, true pure flavors
and I actually look at the ingredients for their freshness and their
versatility. I don't follow food trends. I have never followed a
trend in my life ever."
Honesty, not just in terms of flavors, is a core value for Tsurumaki,
who has managed to add her own personalized touch to Pacific Rim
cuisine. And it all comes out naturally. "We're born into this
culture," she says, "and basically here in Felix, I'm
doing the same thing I was doing in Hawaii."
Except perhaps for the hula.
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